What is the future role of mediated social touch for social inclusion and societal participation in the context of the increasing digitalisation and diversification of Japanese and German societies? The workshop and symposium Mediated Social Touch. Interdisciplinary Explorations of Digital Touch to Connect Humans will bring together experts and practitioners from social sciences, neuroscience, haptics and computer science/AI to gain a comprehensive and multi-perspective understanding of mediated social touch and its potential for connecting humans in a digitalized world. The public symposium on 18 October at the OAG Hall in Tokyo is preceded by a three-day internal workshop. The project is funded by the German Research Foundation (DFG) and the Japanese Society for the Promotion of Science (JSPS). Details and registration here

In February 2022, Germany’s Chancellor Olaf Scholz proclaimed a Zeitenwende (“epochal shift”) denoting a shift away from close economic ties with Russia and announcing a massive investment in Germany’s defense capabilities. These measures were meant to meet the economic and political challenges faced by a country that had previously relied on pacifist politics. Drawing on a historical perspective of Germany’s “long remilitarization” from the Korean War to the Armed Forces’ missions in Afghanistan and Mali, this talk will evaluate what the Zeitenwende means for Germany’s present and future with a particular focus on security policy. Professor Tokuchi will comment on Professor Leggewie’s presentation providing a Japanese view on the changing global security landscape. After the presentations, the discussion will be opened to the floor. The event will be followed by a networking reception. Details and registration here

The COVID-19 pandemic has had a profound impact on our understanding of space. However, the world of reading, an activity traditionally seen as a purely cognitive act that allows readers to leave their physical bodies behind, appeared to remain relatively unaffected by these spatial constraints. This interdisciplinary presentation will closely examine poetic works like Saihate Tahi’s site-specific installation Shi no kasoku / shi no teishi (2020), Fuzuki Yumi’s sound installation Koe no genba (2021), and the online exhibition Kakuri-shiki nōkōsesshoku-shitsu (2020) by Mizusawa Nao and media artist Fuse Rintarō to explore space, proximity, and the act of reading within the context of poetry installations. The presentation will suggest that their works create poetic spaces that serve as a poignant reminder of the readers‘ own physicality. As a result, readers become more aware to the spaces that surround them and the far-reaching effects of COVID-19 on these settings. Details and registration here

Based on perspectives from and on Japan, this workshop brings together 20 scholars to discuss connecting approaches and analytical concepts in digital transformation. Discursive and material dimensions of the digital transformation: Perspectives from and on Japan will explore visions, practices, and narratives in politics, research and development, and science fiction related to robots, artificial intelligence, and algorithms (day 1); the use of data and the development of data infrastructures with regard to their socio-cultural, economic, and historical situation (day 2). On the final day, the results of the previous days are compiled and related from a transdisciplinary perspective to think about possibilities of employing them productively. The workshop will draw on approaches from media and cultural studies, anthropology, the history of science, and science and technology studies. It takes place 11-13 September online, at Sophia University (keynotes), and in Shimokitazawa. Details and registration here

One of the most noteworthy examples of the Japanese art form known as karesansui (枯山水), i. e. dry landscape garden, can be found at the Ryōan-ji in Kyoto. Philippe Bürgin proposes that the aesthetic appeal of this garden’s composition can be fruitfully recontextualized in accordance with the aesthetic category of the Kantian sublime, in the sense that its abstract moments point towards a void, an idea, something that goes beyond our perception – but still within our perception. The aesthetic moments of the sublime coincide with Japanese aesthetic categories such as wabi-sabi by marking the spatial and temporal thresholds of what is representable. The presentation argues that there is a latent sublimity to Japanese art works in which even modern forms of artistic expression might have been anticipated. Details and registration here